Monday, 25 March 2013

Your Love Has Got Me Chained And Bound



This is another of those fortuitous finds. I was wasting time, sorry, doing research one day and I came across the name of Alfreda Brockington and thought to myself she must be either brilliant or extremely rubbish with a name like that. Fortunately when I pressed click it was the former and what a piece of Motown sounding Philly Soul from 1969. It took a wee while to find a decent copy at a reasonable price but I'm sure you will agree that the searching was worth it.

Alfreda Brockington - Your Love Has Got Me Chained And Bound

Sunday, 24 March 2013

Well done Eddie!

What a fucking clown! Or as we would say up here " a total fanny".

People of London,  you elected him!

   
   
   
   
   
   
   
   
   
   
   
   
   
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What's in Yir Box? F




What happened to the E, I hear you cry? Well, sadly not one and there haven't been any E's here for quite some time due to poor quality.

So on we go to F and as you all know there is only one band worth keeping starting with F, surprisingly very few of that band's singles have been deemed by me to be worth saving and both I have thought worthy are cover versions, this is a decision that I think may need revisiting,  not that both are not great singles, on the contrary but I think that others may need to be included.

As for the Faith Brothers,  long term readers will know the story of how I became reacquainted with the a-side of the second single in this double pack, if not just search for Easter Parade and all will become clear.

Frightened Rabbit are another band who's every single would be here if I had the space but the one I have picked is my absolute favourite by then, well single anyway, if it were tracks it would be the one that follows it on The Midnight Organ Fight.

Here are the F's:-

The Faith Brothers - Country Of The Blind (dble pack)
The Fall - Mr Pharmacist
The Fall - I can Here The Grass Grow
The Farmers Boys - More Than A Dream
Charlie Feathers - Can't Hardly Stand It
Freelance Hellraiser - A Stroke Of Genius
Florence and the Machine - Kiss With A Fist
Friends Again - Honey At The Core
Frightened Rabbit - Heads Roll Off

Frightened Rabbit - Heads Roll Off

Saturday, 23 March 2013

Into Dust



Here's something that won't cheer you up on this bitterly cold Saturday, of that you can be assured.

It is however in it's own morose way a rather beautiful song which might or might not be about Hope Sandoval's deteriorating relationship with William  Reid with whom she was living at the time.

I'm sure this must have been used to soundtrack some angst ridden scene about  teenage vampires not fitting in with their peers or some such pish in that Twilight thing.  If not they missed a trick as this song and band tick all the goth boxes.

Mazzy Star - Into Dust


Friday, 22 March 2013

It's Friday . . . Let's Dance




You know how sometimes you buy something on a particular label which is so good that you subsequently just blindly buy whatever is produced on it knowing that there is a greater than 50% chance that no matter what  it is you have purchased it is at least going to be very good? This has happened to me a few times in my life, especially with dance music imprints such as Soma, Junior Boys Own and Hard Hands very, very rarely let me down, Mo Wax more so but that was to be expected.

Today's track comes from the label that if back in the day I was told I could only choose one from which I could have every release then undoubtedly it would have been the one I would have opted for then.

Sabres of Paradise had that little something extra in that it was run by Andrew Weatherall which you knew meant,  to paraphrase John Peel about someone else but it kind of fits here,  that you never quite knew what you were getting, it may not be always what you wanted but it was what you needed. And so from the very first release PT 001 United , which sounded absolutely nothing like it's review in Update, which I can't remember now but remember thinking to myself "that sounds fuck all like that" but I digress, I was hooked. Then there was Secret Knowledge, SYT, Waxworth Industries and Blue, no not that Blue,  to name but four of the artists who released a record on the label. They all had one thing in common for me, I didn't have a scooby who any of them were or what they sounded like before I bought the vinyl they put out on Sabres Of Paradise.

I Still have most of the seventeen releases, the last release Jack of Swords seems to be missing and I never managed to get a copy of PT013 which was a Sabresonic T-shirt.

Today's track is PT011, a quality piece of techno from Slack, of whom I know nothing about and after consulting the web, which was not possible in 1995, have found out, were a duo consisting of Justin Drake and Quinn Whalley and they appear to have released four 12" in total.

Have a good weekend people.

Slack - Painkiller

Thursday, 21 March 2013

Cheap and Deep



I got this rather good 10" single the other week.

It is a couple of remixes  by Brendan Moeller of a track from last year's Cheap and Deep Rides Again.  The track featured is the b-side which can only be described as a bit of a throbber.

Cheap and Deep - Beautiful (Brendan Moeller Acid dub)

Wednesday, 20 March 2013

Don't Confuse Yourself With Somebody Who Has Something To Say



I've really not got much to say this week. I have a few things that I wanted to post but just can't seem to get round to it.

When all else fails put on a bit of early Fall. I say early,  most bands don't make it to six years and even less have released ten albums(including live ones) in that period.

The Fall - Hexen Definitive/Strife Knot (Peel Session)

Monday, 18 March 2013

Deep Soul



A while back I posted a track by Gloria Taylor which I had stumbled across. I had already decided that I would investigate Ms Taylor's back catalogue before the comment from Darcy, however I would probably not have ventured into the 70s stuff,if it had not been for his comment but because of Darcy's impeccable taste this is where I headed first and after a search on the internet  managed to acquire a download of a 12" single from 1973.

The first track on the a-side Deep Inside You is a smouldering,  slow burning slab of deep soul and similarly track two is very good and these two tracks would make a single well worth seeking out. However the track on the flip side blew me away, a seven minute plus track which builds and builds and which when you get to the end you just have to put on again.

I have scoured the web and there isn't a copy of this 12" to be had anywhere which suggests that copies will be worth a few quid. So I really have to thank Darcy for adding another record to my burgeoning wants list that are likely to cost way above what L will find acceptable if a copy every comes up for sale.

Gloria Ann Taylor - Love Is A Hurting Thing

Sunday, 17 March 2013

What's In Yir Box? D



The will be a half arsed post due to the fact that I'm having trouble focusing and my head hurts when I try to think. I went out for a few drinks last night and instead of doing the sensible thing of going to my bed when I got home I stayed up way too late drinking with L and her eejit mates she had round for her round in their Come Dine With Me nonsense.

Not a lot to say about the Ds anyway, apart from the fact that I think that they are all worth saving, obviously.

Dick Dale and The Del-Tones - Miserlou
Dashboard Confessional - Hands Down
Dinosaur Jr - Freak Scene
Dion - Abraham, Martin and John
Dion - Born To Be With You
DJ Shadow - This Time (I'm Gonna Try It My Way)
Dogs - London Bridge/End Of An Era
Tanya Donelly - Moon River
Duffy - Mercy

Fancy a wee blast of angst filled EMO?

Dashboard Confessional - Hands Down

Saturday, 16 March 2013

Aw Naw!



A couple of weeks ago my laptop started to fuck up big style, blue screening all over the place and informing me that it was "core dumping". I was more than a little concerned and phoned up the HP help-desk as the computer is still under warranty, just.

The very helpful help-desk man and I ran through various diagnostics and fixes but to no avail and so I was informed that the only option was to return the laptop to the factory settings and instructed to save anything I wanted to keep to an external hard drive. I have a back-up portable hard drive that I back up my music to but hadn't done so for a couple of months so decided that that might be a good idea.

The restore did what it was supposed to do and I now have a fully functioning laptop again. But last Monday night while getting my shit together for Luton I decided to listen to my latest northern play list in Itunes, double clicked on the first title only to be confronted with an exclamation mark and a box informing me that the file could not be found, so I clicked on a few more of the tracks with the same outcome. I decided to search the drive for them but to no avail and to cut a long story short the back-up didn't work and nothing that I have uploaded since the last time this was done is there.

Usually this would send me into an apoplectic rage and have me kicking things but I managed to stay calm and started toting up what needed to be uploaded again. I have some concern over a few of the LPs I've bought recently like the Asphodells and Frightened Rabbit as I will not be able to re-use the down load codes and will have to rip the whole albums which will take a while but not the most unpleasant task in the world.

So last night I started ripping some of the northern soul singles that until a couple of weeks ago were present and correct in the database and a more pleasurable few hours I haven't had in a long time. With the aid of a couple of rums and ginger beer with  a premier cru Aspalls cider on the side,  the time whizzed by and eventually it was time to call it a night. But before doing so, while putting away the singles this 10" single caught my eye and it was time for "just one more tune". Simon has written more eloquently about this track here than I ever could. So suffice to say that I love this and it's up there with the very best that Kevin and Co have ever recorded.

Dexy's Midnight Runners -This Is What She's Like

Friday, 15 March 2013

It's Friday . . . Let's Dance



I'm sure that most of you already have this but it is a classic, deserves a wee blast now and then and certainly doesn't show it's age. It was released twenty four years ago!

French Kiss is instantly recognisable. I would say that it is a seminal tune. Playing it always brings a smile to my coupon and hazy memories of good clubs, great music and happy, happy people all out to have a party, to have a good time,  as someone once sampled .

Have a good weekend people.

Lil Louis - French Kiss

Wednesday, 13 March 2013

Made For TV Movie



I don't own that much by Clem Snide but I really like what I do have.

This track about the 50/60s TV star Lucille Ball is probably my favourite track by the band. I'm not sure what it is but it is probably the delivery of the vocals which really make the song so affecting, there is a real feeling of despondency about it which gets me. It's not the most upbeat of songs but it is one that I return to quite often.

Clem Snide - Made For TV Movie.

Tuesday, 12 March 2013

Killer Rhythms & Red Hot Beats



Before Christmas John Cooper Clarke filled in for Jarvis on his Sunday show a few times and was absolutely brilliant, some great anecdotes and patter and even better music stretching back to the beginnings of Rock n Roll. On one of these shows he featured tracks from a compilation of instrumental Rock & Roll tunes which were full of raw energy which just made me want to jump about the kitchen. I duly noted down the name of the album on a post it and put it somewhere. Where? I don't know as when I went to get it I couldn't remember where I put it. No worries I thought I will consult the 6 Music website, which I duly did but to no avail, the tracks were there but no mention of where they came from.

There was nothing else to do but search through Amazon. I couldn't find a R&R instrumentals album that had just been released or was about to be but what I did find was a double cd with 70 tracks called Killer Rhythms and Red Hot Beats for under a tenner. Bargain I thought as i moved the mouse to the 1-Click ordering button.

On arrival the cd did not disappoint, sure a lot of the tracks are quite similar and rough sounding but the fact that most of them are around the two minute mark means that you don't get bored with them. A word of caution though, if you are one of those people who can't stand the sound of the saxaphone and I know there are some I would steer clear of this comp as there is widespread use of the instrument throughout. Other than that I can heartily recommend this.

I'm down in Luton for a couple of days, deep joy!

Here is one of my many faves from the compilation.

Lord Rockingham's XI - Fried Onions

Rodney and The Blazers - Summertime Rock

Monday, 11 March 2013

Turn Back The Hands Of Time




Originally recorded by Tyrone Davis and released in 1970. This version from 1975 by Otis Clay, the man responsible for The Only Way Is Up is my favourite even though it has a slicker more seventies sound to it.

Otis Clay - Turn Back The Hands Of Time

Sunday, 10 March 2013

What's In Yir Box? C



Week three of this alphabetical trawl through my 7 inch box that I would grab in the eventuality of having to leave the house permanently at speed means only one thing, that we are at the letter C.

When choosing the contents of this box serious consideration was made of disregarding everybody else starting with C in order to include all of my Clash and Cramps singles. I eventually thought better of this and spent quite a while choosing what 7 inches by these artists I should include and looking at them now think that I could have included another couple by each artist but can't think of anything that I could take out in their place.

So, here are the Cs in the box.

Susan Cadogan - Hurts So Good
Camera Obscura - 80's Fan
Camera Obscura - Lloyd I'm Ready To Be Heartbroken
Cat's Eyes - Over You
The Caulfield Sisters/Julie Peel - Some Candy Talking/Divine Hammer
The Charlatans - Tellin' Stories
The Clash - (White Man) In Hammersmith Palais
The Clash - London Calling
The Clash - Bankrobber
The Clash - Straight To Hell
Comet Gain - Holloway Sweethearts
Comet Gain - Jack Nance Hair
The Come Ons - Don't Tell Me
The Cramps - Can Your Pussy Do The Dog
The Cramps - Like A Bad Girl Should
The Cribs - Men's Needs
The Crimea - Lottery Winners On Acid
Cults - You Know What I Mean

The Crimea - Lottery Winners On Acid

Saturday, 9 March 2013

Bleeding Heart


 
With yet another exploitative release of studio out-takes hitting the shops,  I thought that I would post a track from the first Hendrix compilation I ever bought, the imaginatively titled Jimi Hendrix Concerts.

I bought this album in 1982 from HMV in Birmingham city centre, the first time I had ever been in one. That weekend saw a few firsts for me, first time in Birmingham, first time in HMV and the first time I had ever watched football from anywhere other than the terraces. Our old next door neighbours had moved down to Tamworth and when we went down to visit them that weekend Jim, who worked for a company who had a box at Villa Park and thought that we would enjoy the experience took us to the game as the guests of the company. It was alright but I would rather have been out on the terracing with the other proles.

Jimi Hendrix - Bleeding Heart (Albert Hall 24/02/1969)

Friday, 8 March 2013

It's Friday . . . Let's Dance



Here is a bit of German Trance for your delectation.

Wait, come back, you'll like it,  really you will.

I wouldn't really classify this as trance, more Progressive House, for one thing it's from 1992 and to me trance didn't really become the overblown, huge breakdown, arms in the air bollocks that it would become for another couple of years.

I have often wondered why this track isn't better know. I love it, the cold detatched spoken vocals, the driving drum beat building the track, the ever so slight pause and then the climax. Great stuff.

Have a good weekend people.

Fruits Of The Paradise - A Man Like You

Thursday, 7 March 2013

Dad, That Man Is Scary!



That was Max's words when confronted with the sight of Mark Lanegan  on stage in front of us at Latitude in 2011. I must have seen Lanegan nearly a dozen times now either with Isobel Campbell or with his buddy Greg Dulli as the Gutter Twins or in the Twilight Singers and solo. His presence is never anything less than huge even though he says bugger all and moves around the stage even less and what a voice.

Isobel Campbell and Mark Lanegan - Ramblin' Man

Wednesday, 6 March 2013

Diving For Dear Life



There was a really good edition of Soul Music on Radio 4 yesterday concerning Shipbuilding,  possibly the most beautiful, melancholic protest song ever written. I'm not sure that anyone hearing the song today for the first time and not knowing the back story would even consider it a protest song but more a lament for a time when this country still had a manufacturing industry.

I have always been conflicted as to which version I prefer, I love the Robert Wyatt's vocal but I also love Costello's version especially the trumpet solo, of which there is an interesting fact in the program. I think that on reflection Costello's because of Chet Baker's trumpet.

btw, if you are in the UK as I'm sure you are aware you can catch the show on the iPlayer for the next 6 days.

Elvis Costello - Shipbuilding

Tuesday, 5 March 2013

Violent Dream




Going to see this mob at Oran Mor was one of my gigging highlights of last year even although they did not perform Disco Biscuit Love,  my absolute favourite. The energy levels of the lead singer Hayley Mary never dropped and I was knackered watching her dance across the stage, no wonder she is so thin! She also has a very impressive voice with quite a range.

No such highlights to report this year, we are already in March and I haven't been to a gig yet. Nothing has really taken my fancy apart from The Joy Formidable who had sold out Oran Mor by the time I got my arse in gear to get tickets. There isn't much on the horizon either apart from Billy Bragg at the Concert Hall.

This track comes from the group's first in a series of three eps, She's So Hard and was released in 2009. Their debut  album was released a year ago this month and I must admit was rather overlooked and neglected as I had had a snidey download from the previous November and had kind of played it out before I got my hands on the vinyl. I think that it may get an airing sometime this week.

 The Jezabels - Violent Dream

Monday, 4 March 2013

Love Game



I know absolutely nothing about the Royal Jokers apart from I love this mellow harmony soul sound that they have on this single.

The Royal Jokers - Love Game

Sunday, 3 March 2013

What's In Yir Box? B



So here we are with the second part of this series and I was slightly surprised with the B's which is strange as I should know the contents of box but I was sure that there was a Bauhaus single in there, it maybe made way for the Big Deal single which is only from a year and a bit ago which I had to listen to again to see if it deserved to be in this box and after listening to both sides I wonder why I ever doubted myself.

So here in full is the singles from artists starting with B that I think warrant saving over all the others:-

Bessie Banks - Go Now
Battles - Demons
The Beat - Best Friend/Stand Down Margaret
Belle and Sebastian - Lazy Line Painter Jane
Big Deal - Talk
The Big Pink - Velvet
Blancmange - The Day Before You Came
Blondie - Dreaming
Blondie - Union City Blue
BMX Bandits - Serious Drugs
Bourgie Bourgie - Breaking Point
Billy Bragg - Between The Wars ep
Billy Bragg - Waiting For The Great Leap Forwards
Bright Eyes - Lua
Buzzcocks - Ever Fallen In Love (With Someone You Shouldn't 've?)

Blancmange - The Day Before You Came

Saturday, 2 March 2013

If It Hasn't Been Played In Years, There Is A Reason



The other week there SA over at the Bagging Area averted a near disaster after finding damp behind where he stored his records. After his mentioning the new Expedit shelving unit which now housed his records, I had a look at the old tatty, bookcase thing that held my albums in the dining room  and decided next pay day that I would invest in some new storage.

I happened to be at the Beatson in Glasgow for work on Wednesday which is not a stone's throw away from IKEA and so decided that after work I would go and get the unit. Being the impulsive person I am when I got there I decided that I would get a second unit to replace the shelves upstairs where the dance 12" singles are stored.

That night I built up the one for the dance 12" singles but decided to leave the one for the dining room until Friday night as it would mean a lot of moving stuff around, like the cd towers and unplugging the various bits of hi-fi.

So last night I had the best fun I've had in ages building the unit, moving the cd racks and the rest then the really fun bit re-filing all the albums.

Once I had completed the task, the kids were in bed and so was L,  so I rifled through the albums, pulling out and putting things on the turntable that I haven't played for a very long time. First up was Supper's Ready from Seconds Out, Genesis' live double album, I played about 5 minutes of the twenty odd minutes, it takes up the whole of the third side. I then selected Misplaced Childhood by Marillion which I could only stand for a couple of minutes, "I'm losing on the swings, I'm losing on the roundabouts", I fucking ask you are these lyrics that should be taken seriously!

I came to the very rapid conclusion that the reason that these records haven't been played for over twenty years is that the are utter pish. I am not sure what was going on in my head when I bought these albums, I would have been in my early teens, surely there were better records for me to spend my money on?

I also came across the first or second album that I ever purchased myself, Tubeway Army's Replicas from WH Smith in Airdrie using a record token I had been given for my birthday. The other one which could have been my first album, Ritchie Blackmore's Rainbow was swapped many moons ago, I think for Days In Europe by the Skids with a guy along the street.

I also pulled out an album that I had no recollection of buying and after looking at the title, Bugge Wesseltoft's New Conception of Jazz, I decided that I must have been on some mind bending chemicals at the time of purchase. So I dropped the needle on the vinyl and listened to various bits of each track, not bad, not brilliant but certainly not like the shite that I had been listening to earlier. I then turned my attention to the free 12" that came along with it. This is more like it I thought rather jazzy house, similar in the vein to Ludovic Navarre's St Germain project.

So here is the first track from the 12" single, I suspect that this will be right up Mr H's Cul-de-Sac. If you think that this is rubbish just thank your lucky stars I didn't post Supper's Ready or some Marillion.

Bugge Wesseltoft's New Conception Of Jazz - G.U.B.N.U.F.

Friday, 1 March 2013

It's Friday . . . Let's Dance



First of March, bloody hell February didn't last long!

New month, same old tired format across the kitchen table. If it's not broke don't fix it and if it is turn the music up and ignore it.

Today's offering comes from Greg Wilson, first DJ at the Hacienda, pioneer of the electro scene and king of the re-edit.

Two Sides Of Sympathy takes two re-edits by the PTA, one a mash up of Massive Attack's Unfinished Sympathy and Amerie's 1 Thing, the other 1 Thing along with Sympathy For The Devil and splices them together to produce an edit of the re-edits. Very funky stuff.

The sun is shining up here as it has been all week.

Have a good weekend people.
 
Greg Wilson - Two Sides Of Sympathy

Wednesday, 27 February 2013

The Captain



Anyone fancy a bit of Australian Country and Western?

I first heard Kasey Chambers via Jon In The Morning on KEXP  which was my saviour when I was office bound during the early noughties.

The Captain was the title track to Chambers first album. Since then she has released a further seven albums but I haven't got anything further than the second album Barricades and Brickwalls.

Kasey Chambers - The Captain.

Tuesday, 26 February 2013

My Sweet Potato



Not really got that much to say about Booker T and The MGs other than they were fucking magic and this is one of my favourite tracks by the band.

Booker T and The MGs - My Sweet Potato

Here is some footage of a couple of pretty good northern soul dancers getting down to this track.



Monday, 25 February 2013

Classy Blue Eyed Soul



This has got to be one of the classiest pieces of blue eyed soul I have ever heard.

Timi Yuro was one of the first blue eyed soul singers and unlike a lot of the obscure artists who are idolised by the northern soul fraternity, this Italian American torch singer had a number 4 billboard hit in the states in 1961 with the wonderful, 'Hurt' and the following year Phil Spector produced the singe 'What's A Matter Baby (Is It Hurting You?)', She continued to record throughout the decade with varying degrees of success with 'It Will Never Be Over For Me' ironically being her final release.

In the early 80s Yuro moved to the Netherlands where she resurrected her career before moving back to the States in the middle of the decade where she lived until she succumbed to the throat cancer in 2004 that had first being diagnosed nearly 20 years earlier.

Timi Yuro - It Will Never Be Over For Me






Sunday, 24 February 2013

What's In Yir Box?



Last night I came up with this brilliant idea for a series of posts, you may not think so but let's face it the only other series on this blog were on the Fall and the series that refuses to give up the ghost on a Friday, so anything new should be greeted with a little enthusiasm, no?.

 It is self indulgent and owes more than a little to a couple of other bloggers,  JC with his forty five, forty fives series from a few years ago and also from a posting by Davy H a while ago when he went on about his record box, you know the box that you would grab in case of emergencies. Well, a few of the sadder amongst us got to speculating what special records Mr H's box would contain which was quickly nipped in the bud when the contents were listed. But at the time I thought worthy of another look.

I have a few boxes, a 12" one and five 7" ones that hold varying amounts of singles of which there are two which would have to be picked up in an emergency, one houses the best soul singles and the other hold the best of everything else. If push came to shove and I could only pick up one it would be the red one with the best of everything.

So,  last night while breaking in the new listening chair, sipping some rather lovely Angostura 1919 rum and flicking through the contents of my singles box I came up with the idea of a series of posts detailing what was in the box, however there are about 150 singles in there, so I have decided that I will pick one from each letter, starting from A, as yes the box is in alphabetic order, sad I know.

When looking in the box I was quite surprised as the contents haven't changed much since I first got it and filled it. At that time I tried to only include my favourite single from bands but on inspection I failed drastically to implement that rule and with one band found it incredibly difficult not to include most of their singles and, no it wasn't The Fall. The lack of dance music is well apparent but that is because all of my favourite dance tracks are the 12" versions which are in the 12"/album box.

So without further ado here are the singles from artists or bands beginning with the letter A:-

AC/DC - You Shook Me All Night Long
Ace Spectrum - Don't Send Nobody Else
Afghan Whigs - Uptown Avondale
Afghan Whigs/Ass Ponys- Mr Superlove/You My Love
Age Of Chance - Higher Than Heaven
Airport Girl - The Foolishness That We Create Through Love Is The Closest We Come To Greatness
the Airborne Toxic Event - ep
Allo Darlin' - The Polaroid Song
Alabama Shakes - Be Mine
Dot Allison - Mo Pop
Ruby Andrews - Just Loving You
Arctic Monkeys - I Bet You Look Good On The Dancefloor
Aztec Camera - Oblivious (dbl pack)
Aztec Camera - Spanish Horses
Aztec Camera and Mick Jones - Good Morning Britain

AC/DC - You Shook Me All Night Long

Saturday, 23 February 2013

By Your Side



This post was going to be about going from smooth 70s soul to super smooth, smoother than Trevor Nelson's napper 80s coffee table soul in the form of Sade but I have kind of fucked up as the track that I've picked isn't really that smooth. It is however brilliant,  sort of your best red wine for the ears  in as much as it results in the same warm glow as when you neck a bottle of Chateau Cissac.

Enjoy

Sade - By Your Side

photie for Dirk

Friday, 22 February 2013

It's Friday . . . Let's Dance



Today's track comes from an extremely prolific American producer who also inadvertently invented a new genre of dance music, Speed Garage with his remix of Sugar Is Sweeter by CJ Bolland. However he had been producing and releasing records since 1992.

It was a couple of years later that Witch Doktor was released on Stricktly Rhythm records and people started to take notice.

I just love the bit when the klaxon breaks in for the first time. The first time I heard that in a club I nearly shat myself.

Have a good weekend people.

Armand Van Helden - Witch Docktor

Thursday, 21 February 2013

When Eli Met The Pepperpots



What do you get if combine the talents of one of the US's top retro R&B/Soul artists and Spain's premier Northern Soul Girl group?

An absolutely splendid piece of stomping, feel good soul.

Eli Paperboy Reed Meets The Pepperpots - Don't Mess Up This Good Thing

Wednesday, 20 February 2013

Never Too Late To Learn How To Live



It appears that northern soul singles are not the only pieces of vinyl that you are expected to pay a small fortune for these days. When I was looking at Discogs to find out when the ep that today's track comes from was released I was stunned that the only copy of the Holloway Sweethearts ep for sale had a price of eighty quid on it. It's a very good ep and The Kids At The Club is an excellent piece of indie pop but I'm not sure that it's worth that kind of money.

by the way, it was released in 1994, so when Blur and Oasis were doing what they did, there was some decent indie music being released.

Comet Gain - The Kids At The Club


Monday, 18 February 2013

Some Smooth Seventies Soul



I have never been that big a fan of Seventies soul. I always found it too polished, too smooth and on the whole pretty insipid. But there were certain tracks that I loved  and still do, some of the Philly output but not all of it by any means and also some of the stuff that Ian Levine pushed at the Mecca but on the whole I would have to say that I'm a Sixties soul kind of guy.

Why I love Hang On In There Baby is a mystery to me, it has all of the those things that turn me off 70s soul, the slick production, that earnest, " I'm pure sexy, me" vocals and the fact that it was a top five hit in 1974 but there is something about the song that I love. Can't think of any reason not to post it so . . .

Not a bad way to kick off the week.

Johnny Bristol - Hang On In There Baby

Sunday, 17 February 2013

New Listening Chair



I have a new listening chair.  After much deliberation I picked one. Last night I decided to test it out and it did quite well. I have decided it's not a slouching kind of listening chair unlike the other one. It did pass the test and at the moment I would describe it as adequate, I did at one point nod off while listening to the Blue Room by The Orb but I think that had more to do with the couple of large Havana Clubs that the comfort rating of the chair.

It is early days but one thing that is apparent is that it is not red.

Here is one of the finest singles that The Fall ever released from 1992.

The Fall - Free Range

Saturday, 16 February 2013

Jersey Girl




I had been meaning to post this tune for ages after hearing it on something on the tv a while ago but it went out of my head, however Mr H over at The Ghost of Electricity posted another Tom Waits track to accompany Friday's shennanigans at our virtual local which spurned me on to post it this morning.

Jersey Girl is just one of many favourite Waits tracks of mine. It was first included on the 1980 released Hearattack and Vine. it has been appropriated by Bruce Springsteen and is a live favourite of his but his version although good doesn't come close to the original.

Tom Waits - Jersey Girl

Friday, 15 February 2013

RIP George 'Shadow' Morton



03 September 1940 - 14 February 2013

Ellie Greenwich - Baby


As I mentioned a couple of days ago I spent a few hours on Saturday searching through the dance 12" singles which are all stored in my office on shelves that are very soon (next pay day) going to be housed in an Expedit unit, as a result of Swiss Adam's weekend posts. I found a few things that I had forgotten about, some others that I don't remember buying and others I asked myself "why the fuck did you buy that?"

Today's track comes from a Nottingham label, T:me that I started to buy during the second half of 1992. These distinctive orange labelled pieces of vinyl in black sleeves whose title seemed to reflect the month of release,  for example 0692,  contained music from artists that I had never heard of but there was always at least one track that was good enough for me to buy the next instalment. I heard Moodswings, Spiritual High for the first time on one of these compilations.

The music was very much of it's time, not in that it is dated but it is progressive house,  my genre of choice at the time.

Today's track first appeared on 0193 and was credited to IPG, however later the track and a myriad of mixes all built upon the original 22 second baseline was released under the title of the D*****land ep by Unknown Artist. The mixes range in style from progressive house to ambient but my favourite is still the original one which is called the IPG mix on the ep.

Have a listen and see what you think. I think that it still sounds good, twenty years later.

Have a good weekend people.

Unknown Artist - D*****land (IPG mix)

Wednesday, 13 February 2013

The Sound of Machines Our Parents Used



I spent a few hours on Saturday morning digging through my dance 12" singles looking for stuff that I had mibbie forgotten about that could be used in the Friday feature that refuses to give up the ghost. I found a few belters that I had forgotten about which will turn up on a Friday for the next few weeks. I also found some that don't quite make you want to dance but have been filed in there out of convenience.

The  Gescom ep, The Sound Of Machines Our Parents Used falls into this catagory, it's probably not the easiest listen either but I think it is damn fine, beats me how I forgot about it.

The track posted has been described thus in Discogs -  'Puzl' sounds like 'Metal on Metal', all hissing machinery and otherworldy percussion', pretty accurate but don't let it put you off.

Gescom - Puzl


Tuesday, 12 February 2013

Framed



It isn't very hip and trendy to like The Sensational Alex Harvey Band, don't think that it ever was mind you. I got into them through the hippies that I have mentioned before, well not them really but one of the guys who went about with them, whose name was Alec coincidentally, he was really into them.

When I was twelve/ thirteen I thought Alec was the best guitarist in the world, well Lanarkshire anyway. It was through listening to him, Jim and Chris jamming and rehearsing in New Lanark hall that I was first introduced to classic rock tunes by the likes of Cream, Hendrix, Black Sabbath and the rest.

I have a tape somewhere of one of these rehearsals, terrible quality but it has a wonderful version of Star Spangled Banner which goes on for ages and I can still remember how loud the feedback was that day.

Anyway, during one of these performances Alec started playing this 12 bar blues and began to sort of talk, sing over the top, when he came to the line "is your name Alexander?" I was rather impressed by his spontaneous song writing, it wasn't until the end of the day that I found out that he had not after all thought up these words on the spot but that it was actually a Leiber and Stoller composition. Years later I found out that the song was originally a Doo-wop song record recorded in 1954 by The Robbins and had been covered by Ritchie Valens, Canned Heat and Los Lobos amongst others. Harvey had recorded a version back in 1964 as Alex Harvey and His Soul Band, allegedly recorded live in Hamburg but was in fact recorded in the studio.

So after the session ended I asked Alec if he had any Alex Harvey stuff and he lent me the first two albums and the Live 1975 album which I duly took home immersed myself in and taped.

These days, if you asked people about Alex Harvey and they didn't just shrug and say who? they would probably mention the band's version of Delilah, sadly, as opposed to The Faith Healer, Next and of course Framed.

I was sure that I had the Live 1975 album which has an eleven minute version of Framed but I can't find it so you will have to do with the Live At The BBC version.

The Sensational Alex Harvey Band - Framed (Liver At The BBC)

and it's amazing what you can find on the internet. Here is the version from the non live, Live In Hamburg album.

Monday, 11 February 2013

Such Misery



How is it possible to make a song about heartbreak sound so out and out joyous and uplifting?

The Precisions - Such Misery


Sunday, 10 February 2013



It's been a bloody awful weekend so far. Yesterday Airdrie got royally humped in what is probably the most inept performance that I have ever seen from them and that is saying something. Then last night my lovely red listening chair bit the dust and according to the online IKEA catalogue is irreplaceable. This has caused me some distress. I can't even take a picture to show the damage as when I tried to the camera informed me that it has a focus error which I think means that it is basically fucked as well!

Above is a picture of the chair in happier times.

Here is a track from a band that I have spent many an hour listening to on that chair.

The Velvet Underground - What Goes On (Live 1969)

Friday, 8 February 2013

It's Friday . . . Let's Dance



Back to the heady days of 1988 for today's track.

Royal House was just one of a myriad of aliases of producer Todd Terry, probably intended to keep the lawyers off of his back as Terry was renowned for his use of uncleared samples.  Can You Party is a prime example of this as it samples Marshall Jefferson's Move Your Body, First Choice's Let No Man Put Asunder, Planet Rock by African Bambaataa and Bring The Noise by Public Enemy, there are probably others in there as well. It doesn't detract from the fact that this was a brilliant track in it's day which always filled the dancefloor and to me it doesn't sound too bad today bit that may just be due to nostalgia.

Have a good weekend people.

Royal House - Can You Party

Thursday, 7 February 2013

Too Good To Wait 'til Monday



I was going to leave this and post it on Monday but after it came into my possession  this morning I decided that it needed to be posted straight away!

Don't Let It End has been high up on my wants list ever since I first heard Don't Nobody Mess With My Baby and decided to explore Debbie Taylor's other releases.

A few weeks ago I got very excited when a copy of the single was listed on ebay and duly put my bid in, only to be piped in the last 10 seconds by a bloody sniper. I decided to look around the web and see if there were any other copies for sale at a reasonable price. Luckily enough I found one at MusicStack at a price that wouldn't burst the bank and duly ordered.

I have to admit that I have been worriedly waiting for this to arrive as a couple of singles have gone missing in the post recently. But I needn't as it was waiting for me at the local sorting office this morning.

The track is a belter much in the same vein as Don't Nobody Mess . .  but at a more furious tempo. It was the 150th release on the GWP label out of NYC.

Play loud and enjoy.

Debbie Taylor - Don't Let It End

Wednesday, 6 February 2013

Another Noise



We haven't had anything from the finest duo to hail from Denmark for a while. Here is a track from the ridiculously limited Rarities/b-sides album which for some reason only appeared on the cd version of the release (thank god for snidey download sites). The track doesn't feature on any other release that I have and I therefore assume that it is an out-take, a rather good one at that.

The Raveonettes - Another Noise

Tuesday, 5 February 2013

Do We Go Or Not?



It's that time of the year when the thoughts of two middle aged men turn to whether or not to go along to the Barrowlands Ballroom on the 17th March. I'm not sure why there is such a dilemma, we have yet to see a bad performance by the band but there is something that always has me in two minds as to whether to go or not.

I think that the main reason is that it is pure nostalgia from the moment that you walk into the cavernous ballroom, it's as if the 80s. 90s and the last decade and a bit never happened. It is really quite sad to see middle aged men sporting mohicans and wearing bondage trousers. Don't get me wrong as soon as the band take to the stage the hairs on the back of my neck stand up and for the next 90 minutes I get continual goosebumps and shivers down my spine at regular intervals. But when it's over and I'm walking back to the car I feel, not unsatisfied, how could I be,  I have just listened to and watched possibly the finest punk band play the best of their back catalogue sounding nearly as good as they did all those years ago but there is always something nagging at me.

It is probably just the realisation that irrespective of how much we would like to we cannot turn the clock back and no matter how good the band are, I will never be able to recreate that feeling I had that Saturday afternoon when I was eleven and I played At The Edge for the first time after buying it from Woolies about twenty minutes beforehand.

SLF - At The Edge

Monday, 4 February 2013

Have Mercy Someone



How about a bit of  R&B to kick off the week. Have Mercy Someone was the flipside of You Don't Love Me released on the Kent label in 1971.

I love this tune!

Z.Z. Hill - Have Mercy Someone

Sunday, 3 February 2013

Football, Music and Honeymoons



My Honeymoon very nearly didn't happen.

When L told me where we were going my first question was "How?"

"We will be flying of course".

"No we will fucking not!" I replied.

This was back in the days when I would not even entertain the possibility of flying. There was more chance of getting BA Baracus on a plane without slipping him a mickey finn than there was of me getting into one of those steel tubes.

"Well this will be one of shortest marriages in history" was L's witty retort.

L and my parents had decided to to keep the destination of where we were going to themselves until the day before the wedding. I was going to Barcelona whether I wanted to or not, apparently. In those days there were no flights from Glasgow to the capital of Catalonia and the day after our wedding I found myself on a train to Birmingham, shaking like a battery hen I suspect due to thinking about what was to come more than the effect of the festivities which had ended earlier that morning, as the following day we would fly to Spain.

After forcefully pushing me up the corridor,  onto the plane and getting me seated L sat down more relaxed than anybody has the right to when they are putting their life in the hands of two jet engines, this demeanour irked me somewhat as at the same time I was having problems breathing.

Once the plane took off, the flight wasn't too bad as I ended up getting some special treatment from the cabin crew. When the steward ambled up and asked me if I would like some breakfast I replied that due to the fact that I was having difficulty breathing I would have to decline his kind offer but I could do with a Brandy. He came back with 3 miniatures and then asked if I smoked and at that time I did.

I spent the rest of the flight up the back of the plane behind the curtain smoking and getting ever so slightly inebriated on Brandy.

It would have probably have been easier for us to find our hotel if I hadn't been so "refreshed" after the flight but when we did eventually find it, I noticed that on the same street we had passed at least three record shops.  This is looking up I thought to myself.

After spending a few hours sobering up we decided to go for a wee walk along la Rambla and get some dinner. Tapas L decided, I wasn't too bothered as long as I could get a drink which would postpone the oncoming hangover. So we had some food, a few drinks and then staggered back to the hotel.

I was woken up a few hours later to the sounds of "oh god" splash, "aw jesus!". What's the matter I said", "bloody Calamari, I thought that it tasted a bit too fishy" A strange statement I thought considering what Calamari is. So L spent the rest of the night on the big white telephone to god.

The next day she wasn't any better and was a rather off-putting shade of grey. I was all set for a day watching Spanish telly when I was ordered to go out. Okay I thought, I will go and have a browse round the record shops and come back in an hour or so.

One of the record shops specialised in dance music and I saw a couple of 12"s that took my interest and thought I will maybe get them later. The second shop was predominantly astacked with second hand vinyl with racks and racks of the stuff and I duly started digging. When I looked at my watch I realised that a couple of hours had passed. I strategically placed the records that I wanted, left,  found a convenience store bought some bottled water, ginger and some food that I thought that L might be able to keep down and bolted.

When I got back to the hotel L looked quite a bit better but said that she thought that she better spend the rest of the day in bed . I told her about the record shop and casually dropped into the conversation that there were a few that had interested me. I was told that I could buy a few but not to go mad as we were on a bit of a budget. Ya dancer, I thought to myself.  L asked me what I was going to do with the afternoon and I said that I thought that I would go to Camp Nou as she wasn't particularly bothered about seeing it.

So I wandered out to find the bus that takes you round all of the touristy places fully intending to do the stadium tour. When I got there I realised that Barcelona were playing Dynamo Kiev a couple of nights later in the European Cup. I thought to myself that this was too good an opportunity to miss and took the executive decision and blew about a fifth of our budget for the week on two tickets, it was a once in a lifetime chance I reasoned with my conscience. I hopped on the next bus and went back to the hotel to tell L the good news and show her the records that I had bought on my way.

"What the fuck do I want to go and see a football match for?" was her first question quickly followed by " HOW FUCKING MUCH!" when I told her how much of a bargain the tickets were. I could tell she was feeling much better as she had become very animated and her face no longer ashen but quite a deep shade of red.

She calmed down after not too long, well quicker than other times when I had seriously fucked up.

The last four days of our honeymoon went really well, we did the touristy things, visited la Sagrada Familia and other works by Gaudi, viewed the Picasso exhibition and found a brilliant little cocktail bar where upon entering you were transported back to the 1920s.

Oh, and the football match.

L loved it couldn't get over the size of the place, it was under half full with only 50 odd thousand in attendance, the capacity being 115 000 at that time. Barcelona got royally cuffed four nil by Dynamo Kiev, Shevchenko scoring a hat-trick. One further point of interest, the referee was a Scotsman, Hugh Dallas from Bonkle who when refereeing at home took great pleasure in persecuting Airdrieonians.

Here is one of the 12" singles that I bought in the 2nd hand record shop just off la Rambla.

The Woodentops - Good Thing (12" version)




Saturday, 2 February 2013

Whine and Grine



L is a away on her Christmas Night out today, when  I pointed out that it was neither Christmas nor did nights out start at eleven a.m. she just told me to "stop moaning and think of it as a chance to bond with your children".

So instead of me just inflicting just Max on Stiff and Bat at the football they will also have Leo to contend with. Not sure about the bonding stuff but I know that it is going to cost me a fortune.

Here's a bit of Prince Buster

Prince Buster - Whine and Grine 

Update - got my dates wrong, no football today so spent the afternoon listening to the Asphodells album which is a belter, oh and entertaining the boys.

Friday, 1 February 2013

It's Friday . . . Let's Dance



It's been a long week, Monday and Tuesday in Aberdeen, Wednesday and Thursday in Nottingham and today in Glasgow.

I had my first blow-out on Wednesday, which was nice! Quite scary really, tyre blew on the A1 south bound doing 80 just past Catterick. Then an hour's wait for the AA but the worst was still to come, I had to drive the 130 odd miles left to Nottingham at 45 miles an hour due to the bloody space saver tyre, it may save space but certainly doesn't save fucking time!

Anyway let's have something joyous and uplifting and I know we have had it twice already over the years but it's brilliant and besides I have had no time to think of anything else.

Have a good weekend people.

Sterling Void & Paris Brightledge - It's Alright