Thursday 31 December 2009
Happy New Year!
Forgot to post this at Christmas. It is the fabled (was when I was a teenager, thought that it was one of those urban myths) Hendrix Christmas/New Year medley recorded in Baggy's studio, New York, late 1969 with the Band Of Gypsies line up.
Jimi Hendrix - Little Drummer Boy/Silent Night/Auld Lang Syne
Hogmanay and All The Best When It Comes
I've never really been a fan of Hogmanay, well not since I got lifted aged 18 about 5 minutes after the bells and spent the night in the local cells. It is a long story and I will not bore you with the details, however I will stress that I was completely sober and eventually found innocent of all charges. Since then and until I got in tow with L I tended to avoid the celebrations. With L this was not possible as she rather enjoys this time of year.
Since M came along, what we have done is have our closest friends up for a meal and see in the New Year in the comfort of our own home. So tonight, I will be cooking, what on paper looks like a rather good 4 courses which will be critically picked at by 7 of our friends, one of whom happens to be a rather good Chef .
Another aspect to bringing in the New Year since after the arrival of number one son was to record Stuart Maconie's excellent All Singing, All Dancing All Night which used to be on straight after the bells for 3 hours on Radio 2, as trying to listen to it was a bit ignorant when you had a house full of guests or so i kept being told.
I can't think of a better way to see in the New Year than with some good northern soul, so with that in mind here are the "three before eight", the final three tracks played at the end of every Wigan Casino all-nighter.
Tobi Legend - Time Will Pass You By
Jimmy Radcliffe - Long After Tonight Is All Over
Dean Parrish - I'm On My Way
All the best when it comes, as is said in these parts
Tuesday 29 December 2009
Just Because
Gary Mulholland in his excellent book " This Is Uncool - The 500 Greatest Singles Since Punk And Disco" reckons that everybody has one good single in them. I tend to disagree with this fact as their are countless artists, who in my opinion haven't released a half decent single in their careers. I will however agree with him in relation to today's posting.
Never really got Dinosaur Jr at all, those guitar solos hark back to a time that I have very little enthusiasm for. However Freak Scene is 3and a half minutes of pure joy even the guitar solos sound right.
Dinosaur Jr - Freak Scene.
Never really got Dinosaur Jr at all, those guitar solos hark back to a time that I have very little enthusiasm for. However Freak Scene is 3and a half minutes of pure joy even the guitar solos sound right.
Dinosaur Jr - Freak Scene.
Monday 28 December 2009
Kosmos
I'm sure that the first time I was aware of Kosmos was after reading a review of it in Mixmag, which must have got my attention as it's not every day that you get a review of a Paul Weller record in that journal.
I wasn't aware of the track in it's original 12 minute form as I didn't buy Weller's first solo album at the time. What I had heard of it, apart from Into Tomorrow, didn't appeal to me. I found it quite bland, like a lot of the solo stuff that followed if I'm being completely honest.
The Lynch Mob mix of Kosmos on the other hand I think is just brilliant. The track was originally released as a promo 12" on Go!discs in 1993. I eventually got my hands on it when it was released on the b-side of the Hung Up 12 inch the following year.
Paul Weller - kosmos (lynch mob bonus beats)
Sunday 27 December 2009
What to Do?
The 27th of December, what's it for?
For recovering from 2 days of excess, whether that be food, drink, relations or all 3? Or for contemplating the festivities of next weekend.
In this household, I have decreed that it is for doing sweet FA. Apart from maybe playing Mini Ninja's on the X-Box or being Boba Fett chasing Han Solo in what is a damn impressive Millenium Falcon with M. But what there will be is lots of music, of my choice, played loud and there won't be a Christmas themed song in the mix.
I can't think of a better way to start than playing this, from a box set, that I didn't really need, as it contained about 8 tracks that I didn't own but which was a much appreciated gift from L last Christmas.
The Jesus And Mary Chain - Just Like Honey (Demo Oct '84)
and as a bonus the Reid Brothers take on Leonard Cohen. I wonder what Christmas would have been like in the Reid household?
The Jesus And Mary Chain - Tower Of Song
Picture taken from M's bedroom window on Christmas Day
Thursday 24 December 2009
It's Christmas Eve . . . Let's Dance
Well. if I haven't got everything, it's too late now.
Gone are the days when I used to go clubbing or an all night lock in, in the pub on Christmas Eve. These days I spend the night scraping M off of the ceiling and trying to get him to go to sleep.
When I do eventually get him down tonight I think that I will sit down with a G&T or my favourite new drink, Crabbies Ginger Beer and listen to some mellow tunes. I would love to crank up the amp and play the track posted at full volume as that is how it should be played but I would wake up the boys and the wrath of the better half is something I do not wish to incur on Christmas Eve.
Here is some sublime nonsense from the JAMS which I think has stood up to the rigours of the twenty two years (that's right 22!) since it was released.
The JAMS - Whitney Joins The JAMS
Wednesday 23 December 2009
Groovy Feeling
Shall we continue the upbeat vibes?
Here is Fluke with a really bouncy track from 1993. My mate Starkey used to go mad for this.
Fluke - Groovy Feeling (Lolly Gobble Choc Bomb)
Tuesday 22 December 2009
Sharia Don't Like It, But Then There Is No Accounting For Taste
I am starting to get a bit of demob fever and I still have, officially, 2 days left to work. This evening I have been listening to old tunes which get me in the party spirit and I suspect that nothing except more upbeat, dancey tunes will feature around here for the next week or so.
Thee first time I heard Mustapha Dance, would probably have been in the Mudd Club in Aberdeen around 1987, it was certainly Aberdeen. I thought that somebody had remixed the Clash, as in 1982 I didn't buy 12" singles and neither did anybody else I knew, so I was unaware that the track had been the b-side of Rock The Casbah, a single which I had bought but to be truthful was never that fond of. From the singles released from Combat Rock I much prefer straight to hell.
But this dubby, dancey, b-side mix is a different story I love it and it always gets me in the mood for a good jig although there won't be much chance of that this Christmas. The reality will be more like me spending my days helping M build Lego creations. Still there is the prospect of playing with a rather large Millenium Falcon to look forward to.
The Clash - Mustapha Dance
Monday 21 December 2009
From This Day On
I was first introduced to the song posted today when it was used in Cut Chemist and DJ Shadow's live mix of exclusively 7 inch singles, Brainfreeze. Being a lover of all things Shadow I searched for the cd everywhere, eventually tracking down a copy in Fopp on Cockburn Street of all places. After considerable research ie looking up Wikki, I have ascertained that my copy is in fact one of 1000 repressed bootlegs which were sold to local record shops in California, so how a copy wound its way to Edinburgh is anyone's guess..
The cd is a mix of mainly old soul and R&B records, more than a few of which I had never heard of before and which I had great difficulty in identifying as there was no track listing.
A couple of months later I came across a cd called Brainfreeze Breaks in the same shop. Someone had the clever idea of compiling a cd with 26 of the tracks in the mix, in complete form and releasing it, illegally I think, which begs the question as to why it was on the shelves in Fopp. This is when I learned that the outstanding song for me on the mix was called From This Day On by Eddie Bo.
Eddie Bo was a musician from New Orleans, whose career started in 1955. Over the years he recorded for over forty labels, knocks the Fall into the shade. He was so popular in his hometown, that the Mayor Of New Orleans decreed May 22nd 1997 "Eddie Bo day".
Bo died of a heart attack on March 18th this year.
Eddie Bo - From This Day On
And The Christmas #1 2009 Goes To . . .
SONY BMG
Congratulations, all those who paid their 79 pence to stick it to the Man. Feel happy, satisfied in the knowledge that you helped to more than double the profits that Sony thought they would make off of the Christmas number 1?
Still, we have a song with the word fuck in the lyrics at number one, radical!
Merry Christmas
Chumbawamba - Revolution (HMV side)
Chumbawamba - Revolution ( Fence side)
Sunday 20 December 2009
Just Because . . .
I think that this is the finest thing that Paul Weller ever wrote, tucked away on side two track three of The Jam's second album This Is The Modern World. I have no explanation why I like this more than say Down At The Tubestation, Going Underground or That's Entertainmet, I just do. Every time I hear the opening bars I get goose pimples and I never get sick of hearing it.
The Jam - I Need You (For Someone)
Saturday 19 December 2009
Last Festive Tunes, I Promise
Here we have a couple of festive tracks that I've not seen posted anywhere and I really like.
Weather Update - Mental snow up hear with thunder & lightning. Supposed to be going to friends for dinner tonight but they live in the back of beyond, the chances are looking slim at the moment.
Klaus Says Buy The Record & Josie Vanders - Winter Wear
The Wedding Present - Holly Jolly Hollywood
Wasn't I Your Babysitter?
Sitting in the dentist yesterday morning, I was asked "Are you . . . ., I used to babysit you?" Very strange moment. I thought that I recognised the girl opposite when I walked in but couldn't place her. It must have been nearly twenty years since I last saw her.
Back then I had just turned a teenager I had a major crush on her for a good couple of years.
Jesse Malin - Wendy
Back then I had just turned a teenager I had a major crush on her for a good couple of years.
Jesse Malin - Wendy
Friday 18 December 2009
It's Friday . . . Let's Dance
I've been in a bit of a dilemma over this Friday's post. It being Christmas party season, (L is away to another one tonight), do I post a banging house track which hopefully people will like or do I go for something cheesy which will definitely put a smile of folks coupons? Or play it straight with an out and out northern dancer.
I really couldn't decide, so I've decided to give you a choice, well it is Christmas after all.
Firstly, a bit of cheese. This is another of those Oxfam Music finds. It is a white label in a plain white sleeve, with the words "Kenny Dope Gonzalez mix of Shirley Bassey Light My Fire, Tune!!!" scrawled on it. I got it home and played the Gonzalez mix, which is good but the belter is on the other side. Not beingt hat familiar with Dame Shirl's back catalogue I consulted the oracle that is Discogs where I discovered the song is called Where Do I Begin and the remix is by The Away Team, echoes of The Day Before You Came for me.
Shirley Bassey - Where Do I Begin (Away Team mix)
Track two is by Jersey Street and was released on the Glasgow Underground label in 2001. An absolute stormer of a deep house tracks with great horns, for some reason it reminds me of the Ballistic Brothers
Jersey Street - Born Again (classic vocal)
To finish with we have a track which is up there with the best northern soul tracks ever. Number 34 in the Northern Soul Top 500. If you've heard it and can't quite place it, it was used last year in a slightly bastardised version in an ad for a credit card. Here it is in its original, should not be tampered with form.
Don Thomas - Come On Train
Thursday 17 December 2009
Now it Feels Like Christmas!
We've had about 4 inches of snow here today which is still lying, yipee.
I took the day off, went into Glasgow and finished my Christmas shopping. I am now in the festive spirit and thus will post probably the most miserable seasonal song I own. I have a certain Mr Peel to thank for bringing this song to my attention quite a few years ago now. One night while I was wrapping presents he played this and I got over emotional, it must have been the rum.
BTW - Has anyone tried Crabbies Alcoholic Ginger Beer? It is the business.
Okkervil River - Listening to Otis Redding At Home During Christmas
Allo Darlin' - New Single
Elizabeth Morris first came to my attention nearly 2 years ago with her brilliant rendition of You Shook Me All Night Long which unfortunately I was too slow off the mark to acquire a copy of, since then there have been a couple of releases and another great cover, this time of Atlantic City for a Springsteen tribute album earlier this year.
Anyway, her band Allo Darlin' have just released a new single as a free download, which is well worth a listen to, in fact it is worth forking out the 3 quid for it on 7" as well.
http://www.fortunapop.com/
Wednesday 16 December 2009
Raveonettes Again
Saw the Raveonettes last night and again they did not fail to meet expectations. The sound was great although due to the venue not quite as loud as usual. I'm still in two minds over the ABC 2 as a venue, after a good few years, sometimes I quite like it, for example when I saw Isobel Campbell there, it was great as I had a seat. However when the music, like last night is that bit heavier it sort of loses something when the place isn't quite as closed in as King Tut's. One good thing for oldsters like myself is the fact that the main band comes on at 8:30pm a whole 2 hrs before the Wah Wah Hut, meaning you get to your bed at a reasonable hour on a school night.
My fears as far as the live Raveonettes experience losing its bite due to the poppier direction of the new album were unfounded. All of the tracks were still drenched in the reverb and distortion of old. There wasn't a great deal of reliance on the the new material with tracks spanning all the albums and the first ep being present; including Bowels of the Beast, the first time i've ever heard that track live.
I really like the sound of new line up made, especially the extremely primal Moe Tucker style drumming. A couple of tunes including Little Animals had a really bizarre arrangement, just vocal and extremely distorted guitar which just about worked. My only gripe about it being that the show was too short running at just under an hour and another 10 mins of encores. It is not as if they are lacking in material these days.
Still can't complain too much as got a set of rather fetching Raveonettes mugs from the merchandise stall where I was served by the very lovely Sharin herself.
Walking up Sauchiehall Street, Stiff remarked that we must be getting old, he never thought he would see the day that we would buy souvenir mugs at a concert and be chuffed about the purchase. Changed days indeed.
The Raveonettes - Ode To L.A.
The Raveonettes - Get Lost
Apologies.
It seems that I may have been a little hasty and jumped to some misguided conclusions on my last post regarding the culprit of the complaint to boxnet over my posting of the Withered Hand track. I own Dan an apology, as he was unaware of this blog's existence so was not in a position to complain. I also received rather a nice email from Ed at SL Records, Withered Hand's label, saying that they were happy for me to post the material.
I apologize to Dan unreservedly for jumping to conclusions.
If you haven't already done so, you owe it to yourself to buy the Withered Hand album, it can be purchased here.
I Am Kloot - Proof
I apologize to Dan unreservedly for jumping to conclusions.
If you haven't already done so, you owe it to yourself to buy the Withered Hand album, it can be purchased here.
I Am Kloot - Proof
Monday 14 December 2009
Copyright Infringement Again
Seems like Dan from Withered Hand objects to me posting Oldsmobile Car, fair do's really, if I had been informed of this I would have pulled the track right away and apologized most profusley, however I was mailed by Boxnet, stating that I was in copyright infringement as someone had complained which I suppose is also fair enough, however it may have been a little more civil to have emailed me direct.
No tune or picture as I'm presently in Manchester.
No tune or picture as I'm presently in Manchester.
Joe Gibbs
Here is a little bit of dub to brighten up and hopefully warm you up if the weather where you are is anything like what it's been here over the weekend, still could be worse could be in the Mid-West of the States.
Joe Gibbs was an influential Jamaican producer, who started off working with Lee Perry in 1967 until Perry left to start his own Upsetter label. Gibbs was responsible for many rocksteady productions during the early 70's.
In 1973 he released the first of his African Dub series of albums with his in-house band The Professionals which included Sly Dunbar and Robbie Shakespeare . A further 3 albums followed in the series. Both tracks posted are taken from these albums.
The first track is from Chapter Two and is a remake of a track by Alton Ellis called I'm Still In love and was later used as the backing to a major hit single.
Joe Gibbs & The Professionals - Angola Crisis
The second track is from Chapter 3 and is a remake of Rockfort Rock by Sound Dimension.
Joe Gibbs & The Professionals - Dub Three
Sunday 13 December 2009
Random
L had the girls up for the yearly cack factor final party last night. For someone who saw the Smiths in the early days, was right into Nirvana and has a very good taste in music, the Killers being an exception, she really has got an unfathomable interest in such pish.
I went out for a few pints with my mate and the two of us moaned about the music, we moaned about the pubs and how they weren't like they used to be etc etc. For years people have been telling me that I'm turning into Victor Meldrew but I just didn't believe it. Unfortunately I think it may be true.
This tune was running through my head all evening.
The Rolling Stones - Waiting For A Friend.
Saturday 12 December 2009
Mr Pharmacist
If there is one thing that MES likes doing, it's covering, some would say murdering other peoples songs. Everything from rockabilly to heavy metal to disco is up for grabs. Some of the time it is just a godawful mess for example White Line Fever; more often than not, the re-interpretations are at least interesting if not wholly enjoyable. The list of diverse artists the Fall have covered include, Deep Purple, Gene Vincent, Franki Valli and William Blake.
The Other Half were a psych-rock band from, where else but Southern California who formed in the mid 60s and released one eponymous album in 1968. The track Mr Pharmacist was released as a single that year on GNP Crescendo Records and was later picked up and included on one of the Nuggets lps in the 80s.
The Fall recorded it for the Bend Sinister album and also released it as a single in 1986 and got to the heady heights of number 75 in the charts. I remember this and the gruppe's cover of There's A Ghost In My House being played at many a scooter dance around 86 - 88 both being tracks that could be slammed to.
The Other Half - Mr Pharmacist
And for those who haven't heard it, the pretty faithful cover version.
The Fall - Mr Pharmacist
Friday 11 December 2009
It's Friday . . . Let's Dance
Today's track comes courtesy of my latest haul from Oxfam music on Byres Road. Somebody had obviously got sick and tired of the sounds of Mu as there was a job lot of mint KLF twelves all going for a song at 99p each. So I treated myself to 3 that I didn't already have.
There is not a lot for me to add to the myths/facts already published elsewhere regarding the inventors of "Stadium House".
3 AM Eternal was the second single from the KLF and originally came out in 1989, can you believe that it was 20 years ago! The version posted comes from the 1990 remix 12inch and is mixed by the Moody Boys (Tony Thorpe)and is typically spaced out and dubby, not a million miles away from something the Orb would produce.
KLF - 3A.M. Eternal (Wayward Dub Version)
Not bad for under a quid.
Thursday 10 December 2009
Only Lies
We continue on the northern soul vibe with a single that, had it been discovered at the height of the scene's popularity in the mid to late 70's would have been a monster due to the stomping beat and incredibly powerful vocal . However the fact that it only came to light in the early 90's means that although popular with those that have heard it, the tune has yet to get the recognition it deserves.
Only Lies by Reatha Reese was released on the Dot label and is as rare as hens teeth as only a few copies have surfaced. I recently saw a copy going for £450. So if by chance you ever see a copy do not hesitate.
I can find out absolutely nothing about Reatha. This single seems to be the only thing she has released which is a pity and a waste of a voice like that.
Reatha Reese - Only Lies
Wednesday 9 December 2009
Drew's Concession to Christmas Songs
Contrary to popular belief at my work and amongst my friends I'm not against Christmas songs, I love the Phil Spector Christmas Album, and yes the man is a lunatic and murderer but still produced some amazing music, I'm not making excuses for him but I will still listen to the music but I digress. I just hate the ubiquity of Christmas music, it is fucking everywhere, shops, cafes even piped down our main street on speakers from lamp posts and most of the time not even the original or very good cover versions of the songs but this decade's equivalent of Top Of The Pops does Christmas album, those of you who grew up in the 70s will know what I'm talking about.
The other day over at 17 Seconds, Ed posted my favourite all time festive tune, Christmas (Baby Please Come Home) by Darlene Love, some rather good covers and also a version by Bonzo and the other 3, that I have not heard and will try to avoid at all costs as I already have enough against the self righteous, short arsed, stupid hat and sunglasses indoor wearing git to be going on with.
I remember last year being excited by the prospect of the Raveonettes covering Baby Please Come Home, I thought that if anyone apart from the Jesus and Mary Chain could do the song justice then it would be them. I was rather disappointed with the lackluster result, judge for yourself but it falls a bit flat to these ears.
The Raveonettes - Christmas (Baby Please Come Home)
My second favourite christmas song
Tom Waits - Christmas Card From A Hooker In Minneapolis
something a bit thought provoking
Simon & Garfunkel - 7 O'clock News, Silent Night
and some nonsense and brilliance from the Fall
The Fall - Jingle Bell Rock
The Fall - (We Wish You) A Protein Christmas
Come Go With Me
I'm back on a soul tip this week, after digging out Frank Beverley last week I have been listening to a lot of the stuff. It had taken a back seat here recently.
Here is Gloria Jones, who is probably best known for Tainted Love, which until recently I didn't realize that she recorded when she was only 18. The track posted today is the title track from her 1966 album recorded for the Uptown label and was originally recorded by the doo-wop group the Del Vikings.
Gloria Jones - Come Go With Me
Thanks to both Davy H and Danny for putting me on to 2 brilliant versions of the song Giving Up which was sampled on yesterday's post. The versions are by the Ad-Libs and Gladys Knight & The Pips.
Tuesday 8 December 2009
Sunday 6 December 2009
Why Have I Never Heard This Before?
Yesterday L and I decided to take a trip in to Glasgow, more specifically Byres Road much to the consternation of M who is realising far too early that weekends are for doing as little as possible.
On loading up the car with more kit than a platoon of soldiers would need for a week in the field, I found out that I had left my keys in the ignition of the car all night, which due to the fact that the car is a Saab meant that the battery was flat, those clever Swedes. What a twat, was lucky that nobody had noticed the keys in the unlocked car. So had to borrow a set of jump leads before we could go anywhere.
On arrival in the West End after a quick look around Fopp, which is bloody difficult with a push chair; and for the umpteenth time not finding anything that I wanted to buy, we headed down to Oxfam music, which had similarly proved fruitless on the previous visit.
What a difference yesterday, within 10 minutes I had a potential 15 12" singles without checking the 2 other "dance" bins that some geezer with an extremely stupid looking ethnic hat was hogging, thanks btw. By this time M was bored, Ly was looking slightly dischuffed and L was starting to get restless, meaning "feed me", so I decided on 11 of the 12" singles, which came to a very reasonable £11.49. Not a bad haul.
One of the singles was on Junior Boy's Own and by Lemon Interupt. I was in 2 minds over this, as when I first looked at it, I thought I had it. But on closer inspection, the track I thought was the a-side was actually the AA and the A side was a track that was totally unknown to me, so decided that it was worth the 99p, even if just to fill a gap in my JBO twelves. Thank fuck I didn't put it back or an absolute belter of a track would have remained unknown to me.
When I got home and played back my purchases, I left the Lemon Interupt 'til last. When I put it on, it started pleasantly enough but as the tune progressed it just got better and better. A bit of a Balearic feel to it, not unlike Fallen by One Dove or Come Alive by JB Orchestra. I'm a sucker for spoken lyrics and a laid back vibe. I still can't believe that I haven't heard this before. It is, however a bit different from anything else by Lemon Interupt or Underworld.
Enjoy!
Lemon Interupt - Eclipse
Saturday 5 December 2009
Tracks of My Year
I've thought long and hard about this and whether to post on not. I know that best of lists are totally subjective and that nobody will be in the slightest bit interested in what I deemed to be good this year but what the hell. I like lists even if it is just to shake my head and tut tut at in a very condescending manner.
Anyway, I make a best of compilation up for my mate and his 2 brothers every year and thought that I would share the results with anybody who can be arsed to read. The number of tracks is down to how many I can fit on 2 cds.
1 - Meursault - Red Candle Bulb
2 - La Roux - In For The Kill (Skream's Let's Get Ravey Mix)
3 - The Third Degree - Mercy
4 - Withered Hand - Oldsmobile Car
5 - Chew Lips - Solo
6 - Jamie T - Chaka Demus
7 - Withered Hand - I Am Nothing
8 - The Jezabels - Disco Biscuit Love
9 - Joy Orbison - Hyph Mngo
10 - The Joy Formidible - While The Flies
11 - Unknown - Unknown (Wax 20002 side two)
12 - The Big Pink - Velvet
13 - Burial & Four Tet - Moth
14 - Andrew Weatherall - Brother Johnston's Travelling Disco
15 - Real Estate - Fake Blues
16 - The Fall - Slippy Floor (mark mix)
17 - The Wave Pictures - If You Leave It Alone
18 - God Help The Girl - Come Monday Night
19 - Dark Star - Aidt's Girl's A Computer
20 - Slow Club - Trophy Room
21 - Myron and E with the Soul Investigators - Cold Game
22 - Fuck Buttons - Olympians
23 - Speech Debelle - Spinnin'
24 - Raveonettes - Last Dance
25 - Gui Borrato -Take My Breath Away
26 - Clubroot - Sempiternal
I know tracks 1 and 4 are the same song but they are both brilliant and technically the Jezabels came out at the end of 2008. But it's my list my rules, you are all free to make up your own.
Friday 4 December 2009
It's Friday . . . Let's Dance
Here's a bit of speed garage sampling Nina Simone from 1997. This sub genre of garage was basically sped up garage with mega heavy baselines and timestretched vocals and effects. It was popular for about a nano second during 1996/97 before the next hip genre came around. A couple of other fine examples of speed garage were 187 Lockdown's Gunman and Armand Van Helden's remix of the Sneaker Pimps Spin Spin Sugar.
If I remember correctly the Epic mix of this was flogged to death at the time, the mix posted here is remixed by Rob Bee.
huff & herb - feeling good (Rob Bee's Sub For Murray mix)
Wednesday 2 December 2009
If That's What You Wanted.
Far too much going on right now. I haven't had a chance to think about the blog this week. Should be able to get things on an even keel by the weekend.
In the meantime . . .
I haven't posted any northern soul for quite a while, so here is one of my favourites and number 9 in the Northern Soul Top 500. Frank Beverly would later find fame as the lead singer of the band Maze but here is the best thing that he's ever done, in my opinion.
Frank Beverly and the Butlers - If That's What You Wanted
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