Sunday, 26 April 2015

Mellow Sunday

I first heard this track when it was included Cat Power's second album of cover versions, Jukebox. IT was one of two songs that really stood out for me, the other being Song To Bobby. So I had to find out who did the originals and after a quick search on the internet search I discovered that the original of Aretha, Sing One For Me was by George Jackson and released on the Memphis label Hi in 1972.


George Jackson - Aretha, Sing One For Me

Cat Power - Aretha, Sing One For Me (Black session)

Friday, 24 April 2015

It's Friday . . . Let's Dance

Unfortunately I'm no longer on the 45. This was going through my head yesterday for some reason. People will tell you that the original is where it's at but for me the fat boy elevates the song from an alright indie track to an absolute belter.

Have a good weekend people.

Cornershop - Brimful of Asha (Norman Cook mix)

Wednesday, 22 April 2015


On Valentine's night I took L to see Slow Club at the Pleasance in Edinburgh, I really am an old romantic. I was slightly apprehensive as I had loved Complete Surrender so much I was worried that live the tracks may lose something and I would leave pissed off. I need not have worried,  it was one of the best gig going experiences I have had of the last few years. I found myself getting carried away and actually singing out loud on more than one occasion.  That only usually happens when Roddy Frame plays either The Boy Wonders, Birth Of The True or Down The Dip. Anyway, the whole set was absolutely wonderful and nine of the eleven tracks from Complete Control were played  with an absolutely exquisite (not a word I would normally use but I can't think of a better one) acoustic rendition of  The Pieces being a particular highlight and also the song posted from the previous album Paradise.

Slow Club - Beginners (Live WNCY)

Tuesday, 21 April 2015

Melanie De Biasio

Sometime last year while listening to Gilles Peterson he played a tune by someone that I had never heard of before which stopped me in my tracks. I found out it was by Melanie De Biasio, I was still none the wiser and so consulted the oracle, apparently she was a a Belgian jazz singer and the track came from her first album The Flow released in 2013. The album was duly bought, played a couple of times and then forgotten, not because it wasn't any good but Complete Surrender arrived and took up residency on the turntable.

At the beginning of the year, again courtesy of Gilles Peterson I learned that a remix version of the album was going to be released instigated by Peterson who also remixes one of the tracks. This was also purchased and has caused quite a bit of stylus deterioration over the past couple of months. On the sleeve notes Peterson states that the original album was remix friendly due to it's minimalism and who am I to disagree. What I do know is that the subsequent album is absolutely stunning, the remixes complement the original recording perfectly.

Melanie De Biasio - The Flow (Hex Mix)

Monday, 20 April 2015

Good Lovin' Man

Delores Hall is probably best known, if known at all for being part if the original cast of the hippie musical Hair or for her part in the first two series of Diagnosis:Murder. However prior to this she released this excellent piece of funky soul in 1967. As is often the case this is the flip side, the other side W-O-M-A-N is a very good tune but this one just shaves it for me.

Delores Hall - Good Lovin' Man

Sunday, 19 April 2015

Mellow Sunday

This is an absolutely beautiful rendition of the Ewen MacColl classic by James Lavelle featuring the vocal talents of Keaton Henson. The gloss is taken off of the recording somewhat by the terrible pressing of the record, I bought this from new from the UNKLE website and ripped it on the second play, however you will hear the background noise all the way through. I sent it back and a replacement was dispatched which is exactly the same such a pity but I noticed on Discogs that copies are going for north of forty quid!

The record was released and available originally at the UNKLE gig at the Meltdown festival in June last year which Lavelle curated.

UNKLE - The First Time Ever I Saw Your Face

Friday, 17 April 2015

It's Friday . . . Let's Dance

I was never a big fan of Florence or her machine. I thought that the first single, Kiss With A Fist was a good song, better than most of the guff about at the time, well good enough to buy on 7" single and then pre-order the follow-up Dog Days Are Over. However I think that my view of Ms Welch went down hill rapidly when I listened to the b-side of that second single, what a fucking travesty, how dare she, who the fuck did she think she was were just a few of the things that went through my head in the just under three minutes of possibly the worst cover this side of Michael Bolton's Dock Of The Bay. So why I bought the 12", A Lot Of Blood A Lot Of Love escapes me at the moment  especially as I had three of the four track on the brace of sevens. It was probably due to the words Optimo and Espacio being mentioned as I have always rated Twitch and Wilkes as Dj's and producers. And they didn't disappoint with what is a cracking throbbing mix with minimum Florence and not much machine unless you count the synths. This is still a bit of vinyl that gets time on the turntable quite often but this record is where me and Florence parted company. L bought the cd of the first album which I think I listened to out of courtesy but apart from the two songs released as the first two singles the rest left me cold.

This weekend I will be watching the Diamonds but unfortunately I think that a play off place me be just out with our grasp, still as long as we finish above Dunfermline I will be happy. Then it's off to see Airborne Toxic Event at the Garage in Glasgow, I haven't bought the latest album yet so the new stuff will be new.

Have a good weekend people.

Florence and the Machine - Dog Days Are Over (An Optimo (Espacio) mix)

Thursday, 16 April 2015

Not Another Bloody Fall Cover?

Afraid so.

This time it's the turn of the Monks, the American GIs based in Germany in the mid sixties who have their garage rock sound fallified. Higgle-Dy Piggle-Dy was released in Germany as a split single with Alec Empire covering Monk Time on the flip. Both tracks were part of a CD compilation tribute album to the band called Silver Monk Time.

The Fall - Higgle-Dy Piggle-Dy

Wednesday, 15 April 2015

Good Looking Records

There are some record labels that produce beautiful, eye catching records with great covers such as Song By Toad, and the Great Pop Supplement to name just two from which I have recently played records inspiring this post. I know it should be all about the music and with both of these labels the music in no way takes a lower priority to the aesthetics but it is a bit of a buzz when you get something home and put it on the turntable and it looks as good as it sounds and is wrapped in something that has obviously taken time to be lovingly created.

As an example of this take the 100th release on the Great Pop Supplement which was a split 7" with Spectrum, Spacemen 3 and MGMT, the link being Peter Kember (Sonic Boom) was a member of both Spacemen 3 and Spectrum and produced MGMT's second album, Congratulations. The record is pressed on translucent green vinyl housed within a psychedelic hexagonal fold out card sleeve which really is very cool.  It was originally released in 2013 but only 200 of the 1000 pressed  went into circulation as there were legal problems surrounding the leasing of the MGMT track, the final 800 were eventually made available in November of last year. I have to admit that it is a pleasure to open unfold the cover and place this on the turntable just as it is to put on the beautiful clear vinyl Le Thug Place Is ep. If that makes me a saddoe then I will wear that badge proudly.

Spectrum - Bo's Web (demo)


After Artog's comments I have spent more time than I should have this morning trying to re-fold the thing correctly and eventually,  success!

Tuesday, 14 April 2015

Give Me A Little More Time

While searching the lost indies twelves cupboard I came across a single by Gabrielle which I forgot I had, not sure why it had been filed in there. I loved this piece of retro soul at the time and playing it again for the first time in years I haven't changed my view that this was a great track. I was surprised that it was released in 1996 as I would have placed it a few years earlier round 1992/93. There are a couple of remixes on the 12" single from Buckwild and Talvin Singh which are not without merit and a further record with mixes aimed squarely at the dancefloor from David Morales but the album mix is the one for me.

Gabrielle - Give Me A Little More Time

Monday, 13 April 2015

I've Got To Break Away

Here is a cracking bit of early 70s New York Soul from Baby Washington. Her first single as a solo singer was released some 17 years previously. During her career she has recorded for various labels including Cotillion, Sue and Master Five, on which this single was released in 1973. Justine Washington, as she was christened last appeared in the UK in 2004 when she performed at the Prestatyn Soul Weekender.

Baby Washington - I've Got To Break Away

Sunday, 12 April 2015

Mellow Sunday

This is not for download as it is new and available here. Another lovely piece of vinyl from Michael Head and friends.

The Red Elastic Band - Velvets In The Dark

Thursday, 9 April 2015

Sweetest Child

A few weeks ago Brian posted I'm Gonna Soothe You from Maria McKee's second album over at Linear Tracking Lives and his revelation that that album was the only one that he had by McKee prompted a few comments pointing him to various other high points in the singer's repertoire as a solo artist and also with her previous band Lone Justice. All this discussion brought back memories of a collaboration in the early nineties with Youth and Throb from Primal Scream,  sending me on a quest to the cupboard of lost indie twelves. After a bit of searching and a good clean I put it on. It hasn't dated all that well although McKee's voice and Young's guitar are great, it's mainly the production very 1992 and reminded me of Zoe's Sunshine On A Rainy Day also produced by Youth a couple of years prior to Sweetest Child. On the flip there is a really horrible "Celtic Moon mix" which is best avoided. Probably not in anybody's Top Ten Maria McKee recordings but not too bad. I think I remember reading somewhere  that she was living in either the UK or Ireland when this recording was made.

Sweetest Child - Sweetest Child (Extended mix)