Thursday, 31 October 2019
Number 1 son is sixteen today. I would post something that he likes but sadly his taste has turned to shit over the past couple of years. So here is a track that when he was younger about 10, he got really into after watching the Punk Britannia programme on YouTube and for about 6 months John Lydon was his hero. I will never forget the Saturday night when he poked his head round the door and asked "you got any dub?", apparently Lydon had been talking about it and he wanted to check it out. Stiff was right when he commented not long after that "he's going to run out of genres by the time he's twelve at this rate.
PIL - Rise
And here's the obligatory Hallowe'en song
Pogues - Haunted
Wednesday, 30 October 2019
This lovely piece of ambience created on vintage analogue Roland synths complete with authentic NASA transmission recording by Hannah Peel was given away as a beautiful white vinyl 7" single with the July edition of Electronic Sound to celebrate the 50th Anniversary of the moon landing and the cultural impact since. The only thing wrong with it is that it is way too short. Imagine a 10/12 minute version.
Electronic Sound is for me the most interesting music magazine out there and well worth subscribing to.
Hannah Peel - The Moon Is There In All It's Splendour (parts 1&2)
Tuesday, 29 October 2019
A great bit of 70s Detroit Soul for you. A piano driven dancer with some forceful female backing vocals. I know nothing about Clarence Jackson but I do recognise a quality peace of vinyl when I hear it.
Clarence Jackson - If It Don't Fit, Don't Force This
Monday, 28 October 2019
WARNING OVERINDULGENT PROG ALERT!
As I warned months ago Genesis would appear in this slot at some point and today is the day. I have mentioned on quite a few occasions the older hippy types that I kicked about with when I was an early teen, one of them Lex was a big Genesis and Kate Bush fan and most of the time when you visited him it would be one of those two that would be playing although he had a pretty large record collection for an 18 yr old, Inevitably I succumbed to some of the music I heard when up at his bit, I never really got into Kate Bush but some of the early Genesis stuff I really liked, The Lamb Lies Down On Broadway and Selling England By The Pound are two albums that have remained in my head ever since, well bits of them anyway.
But it was Supper's Ready that made the biggest impression on me not least due to it's length, taking up the whole side of Foxtrot and clocking in at just short of 23 minutes. It was also bonkers, back then I had no idea what it was about but now there is a Wiki page dedicated to it and according to Peter Gabriel "is a personal journey which ends up walking through scenes from Revolution in the Bible"
The version posted is a live version from the Archive compilation 1967 - 75, recorded live at the Rainbow Theatre on 20th October 1973 and is slightly extended as the running time is 26:34.
Go on give it a listen, you might even like it.
Genesis - Supper's Ready
Friday, 25 October 2019
Fifteen years, fifteen fucking years!
Maryanne, Lauren, the rest of 6Music, not least John's son Tom have tried to fill the gap and have just about managed to do it but it is telling that it has taken a whole station to fill those boots and come up with a daily playlist as diverse as the late man's one show. I say nearly as no matter how good all those djs are they do not possess those dulcet tones, the deadpan delivery and very few ever play the record at the wrong speed. I wonder if Peel had still been around what his show would have been like after his beloved Liverpool won the European Cup for the 6th time.
I had a few Peel sessions vying for inclusion today but as I am off to see the Wedding Present tonight, in what I have no doubt will be another brilliant ninety odd minutes, especially as Bizarro my second favourite Weddoes album will be played in full, it seemed fitting that I should pick them and the band's final session recorded on 22/07/2004 and broadcast 12/09/2004 which contained at the time brand new tracks from Take Fountain, my favourite Wedding Present album.
Peel once said "the boy Gedge has written some of the best love songs of the Rock 'n' Roll era. You may dispute this, but I'm right and you're wrong!" His faith in Gedge can be attested by the fact that after M.E.S. Gedge clocked up the second most session appearances, 22 in total either with the Wedding Present, Cinerama or solo.
Ringway To Seatac
John Peel - The Fall
Wednesday, 23 October 2019
Barbara McNair is responsible for one of my favourite soul songs of all time, You're Gonna Love My Baby and although Forget You Ever Met Me Baby isn't quite in the same league it is still an extremely good piece of sophisticated soul. Although this track was never released as a single it was on the second album she recorded for Motown, The Real Barbara McNair, released in 1969.
Barbara McNair - Forget You Ever Met Me Baby
Monday, 21 October 2019
Not sure if Techno is the right thing for a Monday morning. It's not banging techno, Ripperton stretches and mellows out the Bristolian duo's 2011 release which may not have you pulling shapeson the floor but will have you nodding along. Ripperton does this kind of thing very well.
Emptyset feat Cornelius Harris - Altogether Lost (Ripperton's Underground Kingdom mix)
Wednesday, 16 October 2019
A few weeks ago I was flicking through an old notebook looking for a record that I had scribbled down after hearing somewhere but could not remember what it was, when I came across a title that stopped me in my tracks for a couple of minutes. The header on the page was "Setlist For Spiritualized Closing The Festival" and as you can probably guess the page then listed a load of Spiritualized songs, some scored through others with arrows showing where they should be moved to and then the final running order.
The reason that this stopped me in my tracks was it had me remembering a most enjoyable series of email correspondence with Tim Badger from the beginning of May last year
Tim had emailed a few of us bloggers as he and SWC had had a mad idea (not like them that) to put on an imaginary festival over the August Bank Holiday 2018, over three days and multiple blogs. There would be three stages, the Main Stage where the acts would be complied by Tim, SWC and their partner in crime KT (C) over the Friday, Saturday and Sunday nights. A Second Stage with Jez, JC and yours truly and Another Stage maned by Swiss Adam, Robster and Walter.
There were some ground rules, the festival had to have bands that could physically play, ie were in existence at the time of the August Bank Holiday. The bands/artists would play for around an hour but headliners could have two hours. It had also been stipulated by SWC that my headliner had to be Spiritualized.
I put a lot of thought into this at the time and decided that I would add my own rule that my sets would consist of live recordings of the bands which narrowed down the attendees I could pick as I also had to already have mp3s of these. A piece of pish in relation to the headliners as I have loads of live Spiritualized stuff but a little bit trickier when it came to the rest of the line-up and possibly why in the notebook I only have a setlist for Spiritualized and no other bands listed.
I can't quite remember why this did not come to pass but I thought that I would post my Spiritualized set in memory of Tim, as I have been thinking of him recently, and of how at the start of the year when I was feeling quite low a comment he left made me feel just that little bit better.
Anyway, below is my setlist for the final act on the Second Stage on the Sunday of Blogfest. I know shite name. I am sure that if it had come to pass the festival would have a much better and funnier name.
Ladies And Gentlemen We Are Floating In Space
I Want You
Lay Back In The Sun
Soul On Fire
Shine A Light-All Of My Tears-Electric Mainline
I Think I'm In Love
She Kisssed Me (It Felt Like A Kiss)
Cop Shoot Cop
So Long You Pretty Thing
Take Me To The Other Side
Oh Happy Day
Tuesday, 15 October 2019
A few Sundays ago while doing the shopping in Sainsbury's Lynn was looking at the home ware and I stumbled across a rack of vinyl which was all very much mainstream fodder, Kate Bush, Pink Floyd, ELO, you get the idea. One thing did catch my eye as it had the Red Bird logo, the red bird playing a guitar. It was called "Go Girls: The Women of Red Bird. I was pretty sure that I would have all the tracks on the excellent comprehensive double cd The Red Bird Story and a few things on 7" but thought I would have a look anyway. As I suspected I did have all the tracks but was beginning to justify the purchase in my head. AS Go Now was on this, I wouldn't have to play my previous Bessie Banks 7" and the version of Baby would undoubtedly be better than the boot single I had and after all it was only 14 quid. But then I noticed that Don't Think My Baby's Coming Back by Dee Dee Warwick was also included, a song that has been on my vinyl wants list for quite some time, and that was it. It could have been double the price and I would still have bought it as a vg+ copy of the single Standing By released on the Tiger subsidiary label in 1964 that had Don't Think on the flip would set me back over £50.
I don't actually mind food shopping, okay truthfully I really enjoy it (well until we are fighting in the isles over the last tin of Spam in a couple of weeks) but stumbling on this album made a pleasurable experience just that little bit better. Just one gripe, why did it have to be on fucking pink vinyl.
Dee Dee Warwick - Don't Think My Baby's Coming Back
Monday, 14 October 2019
In 1976 Brian Eno travelled to Forst in West Germany to collaborate with the Harmonia, the German supergroup that consisted of two members of Cluster, Hans Joachim Roedelius & Dieter Moebius and the guitarist from Neu! Michael Rother who had released two albums to limited sales. For 11 days in September Eno and the other three collaborated before he buggered off to work with David Bowie. The output of these sessions weren't released until 1997 as the tapes had been considered lost up until then. The album that was released Tracks and Traces is a mixed bag, the long contemplative piece, Sometime In Autumn being the pick of the bunch which was remixed by Shackleton and released on a 12" with an Appleblim and Komonasmuk remix of By The Riverside the other main track from the 1976 session.
Harmonia 76 - Sometime In Autumn
Wednesday, 2 October 2019
I was listening to a rather good radio dramatization of the Ipcress File on Radio 4 Extra the other day which and I realised that although I have seen the film many times and read the follow-up, Funeral In Berlin I have never read The Ipcress File which when I think of it is rather strange. I went through a period in my middle teens when I was obsessed with all of this espionage type stuff and consumed all of the John Le Carre and the like I could find.
This particular radio adaptation used snippets of the excellent John Barry soundtrack throughout which had me scouring the cd shelves for the soundtrack which still cannot be found not sure where it's gotten to. So I dug out Life In Mono by Mono which was released in 1996 and samples BArry's soundtrack to great effect. This 12" single came out with a raft of remixes including 2 very good efforts by The Propellerheads who were very much mining the seams of spooks and espionage at the time. But for me the original is the best.
Interesting fact, in the original Len Deighton books the main protagonist is never named, apparently Michael Caine came up with the name Harry Palmer when having lunch those Christian name was adopted and the Palmer part came from a boy Caine knew from school who he thought to be the most boring person there.
Mono - Life In Mono
Tuesday, 1 October 2019
Sometimes you forget just how good some songs are. Either through being too familiar or just in the context that you tend to hear them, you don't really listen and appreciate them, then you hear them unexpectedly and you see the song in a whole different light.
This happened to me the other week, I had the iTunes on the computer while completing the excruciatingly tedious job of uploading and classifying site documents to our eTMF. I was just about to lose the will to live when the horns and the clip clop intro to Getting Mighty Crowded come out of the desk top speakers that I have in my home office. Then the gorgeous tones of Betty Everett's lush velvety voice started to give me goosepimples the faintly echoey production just perfect. I am not sure that I have ever just sat and listened to this song before, I associate it with dancing (badly in my case). I played it three times on the bounce.
Getting Mighty Crowded was first released in 1964 on Vee Jay Records, the first American label that the Beatles signed for. It was picked up by the Twisted Wheel crowd and has been a staple on the northern scene ever since. Elvis Costello recorded and released a particularly pish cover on the b-side of High Fidelity.
I suppose a track that is 55 years old and can still stop you in your tracks can be considered a classic. Well it is to me anyway.
Betty Everett - Getting Mighty Crowded.